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WHO’S WHO in the CAST
Tales from Hollywood, The Same Deep Water as
Me (Donmar). Also, Peter Grimes (Met Opera),
Cirque du Soleil’s Amaluna.
ANN ROTH (Costume Design). Theater credits
include Hurlyburly, The Best Little Whorehouse
in Texas, Singin’ in the Rain, Purlie, The
Odd Couple, and Waiting for Godot. Tony
nominations: The Crucifer of Blood, The Royal
Family, Present Laughter, and The House of Blue
Leaves. Films include: Midnight Cowboy, Klute,
The Day of the Locust (BAFTA), The Goodbye
Girl, Coming Home, Hair, Working Girl, Sabrina,
Silkwood, The Unbearable Lightness of Being, The
Mambo Kings, The Birdcage, The English Patient
(Oscar), The Talented Mr. Ripley, The Hours,
Cold Mountain, Angels in America, The Way Way
Back, The Stepford Wives, The Village, Closer,
and Evening. She won an Irene Sharaff Lifetime
Achievement Award in 2000.
BRIAN MacDEVITT (Lighting Design). The
Book of Mormon (Tony Award). Recent New
York City: Death of a Salesman directed by
Mike Nichols, The Mountaintop with Samuel
L. Jackson, Chinglish on Broadway, and The
Enchanted Island at the Metropolitan Opera.
Last season he designed Le Compte Ory at
the Metropolitan Opera. Dance: American
Ballet Theater, Tere O’Connor Dance, Merce
Cunningham, Lar Lubovitch, and Nancy Bannon,
among others. Director: Proof at Theater Three.
Awards: ve Tonys, Obie, Bessie, Outer Critics’,
Hewes, and Drama Desk, among others. He is a
member of Naked Angels and faculty at University
of Maryland. He is a father to Jake and Georgie.
BRIAN RONAN (Sound Design) has designed
sound for more than 30 Broadway musicals
and plays. Some recent designs include Tuck
Everlasting; The Last Ship; Beautiful; Annie;
Bring It On; Nice Work…; The Book of Mormon;
Anything Goes; American Idiot; Promises,
Promises; Next to Normal; Grease; Curtains; Grey
Gardens; and The Pajama Game. Off-Broadway
designs include Lazarus, Giant, Rent, Everyday
Rapture, Saved, 10 Million Miles and Bug. His
career has spanned 30 years and taken him across
America, Europe and Asia. Brian is the recipient
of Obie, Lucille Lortel, Drama Desk, Olivier and
Tony awards.
STEPHEN OREMUS (Music Director, Vocal
Arranger, Co-Orchestrator). Broadway: Kinky
Boots (2013 Tony Award for Best Orchestrations
and 2013 Grammy Award), The Book of Mormon
(2011 Tony and Drama Desk awards for Best
Orchestrations and 2012 Grammy Award).
Worldwide music supervisor/arranger of Wicked;
music supervisor/vocal arranger/orchestrator
of Broadway productions/tours of The Book of
Mormon, Avenue Q, All Shook Up and 9 to 5: The
Musical. Other credits: music supervisor, vocal
arranger and orchestrator: Tick, Tick… Boom!;
music director: Andrew Lippa’s The Wild Party;
conductor and contributing orchestrator for the
Oscar-winning Disney lm Frozen; music director
of the 87th Academy Awards telecast and “The
Wiz Live!” on NBC TV.
ALAN BUKOWIECKI (Music Director/
Conductor) National tour: Hair. Off-Broadway:
Dr. Sex. Chicago: Music Director of Dee Snider’s
Rock and Roll Christmas Tale, Altar Boyz and I
Love Lucy Live on Stage. Regional: Drury Lane
Oakbrook, Chicago Shakespeare. M.A. from the
Royal Conservatoire of Scotland.
JOSH MARQUETTE (Hair Design). N.Y./
London: Dreamgirls, Paramour, Tuck Everlasting,
School of Rock, Something Rotten!, Aladdin, Kinky
Boots, The Book of Mormon, Trip of Love, First
Date, Elf, Dog ght, The Best Man, Look Back in
Anger, The Drowsy Chaperone, Pig Farm, Trailer
Park Musical, Altar Boyz, Show Boat at Carnegie
Hall. Encores! Most Happy Fella; No, No, Nanette;
Follies; Mamma Mia! West Coast: Robin & the 7
Hoods, Peep Show, Minsky’s, Vanities. Television:
“The Slap,” “30 Rock,” “Saturday Night Live.”
CARRIE GARDNER, C.S.A. (Casting) also
serves as casting director for the Roundabout.
Broadway: Cyrano De Bergerac, Importance
of Being Earnest, The Pee-Wee Herman Show,
Bloody Bloody Andrew Jackson, American Idiot,
Spring Awakening, Mrs. Warren’s Profession,
and Les Liaisons Dangereuses. Off-Broadway:
Sons of the Prophet, Look Back in Anger, Suicide
Incorporated, Dream of the Burning Boy, Tigers
Be Still, Ordinary Days, The Understudy, The
Language of Trees, Distracted, Speech & Debate,
and Marriage of Bette & Boo.
GLEN KELLY (Dance Arrangements). Music
supervisor and arranger for The Producers and
Young Frankenstein. Other Broadway credits
include Death of a Salesman, Scottsboro Boys,
Spamalot, The Drowsy Chaperone, Beauty and
the Beast, Death of a Salesman, The Frogs, High
Society, Steel Pier, Dance a Little Closer, and A
Christmas Carol. For NYCB he arranged the music
and co-wrote the libretto for Double Feature.
Other ballet credits: Thou Swell (for NYCB) and
But Not for Me for the Martha Graham Company.