Christian musicians. Mike’s rst love is jazz,
soul and salsa. When he is not immersed in
his love for music and performance, Mike
gigs with Duke Energy to keep the lights on.
STEVEN VOUGHT (Trumpet I) is a
Florida-born trumpet player who received
his undergraduate degree from Stetson
University and is currently nishing his
masters at the University of South Florida.
Outside of school, he has worked with such
groups as The Creede Repertory Theatre,
The New Tampa Players and the Ocala
Symphony.
AVA KORD OCTLANCH (Trumpet II) is a
senior at Andrew High School and is thrilled
for this, her rst professional gig. I. S. M.
ALISON BURNS (Choreography/Associate
Director) is thrilled to be back at Jobsite
for yet another epic musical! You last saw
her choreography in Jobsite’s LIZZIE and
SILENCE! The Musical. Other choreography
credits include: The Rocky Horror Show,
Godspell, Waist Watchers and Respect (Straz),
as well as multiple youth theatre shows
including Key.Pin It Real; an original show
by Kathie Lee Gifford and David Friedman.
Burns is a graduate of New York Citys
American Musical and Dramatic Academy
and when she’s not dancing, she can be found
performing, directing and coaching voice and
acting nationwide. ndyourlightcoaching.org
Thanks to David and the entire Jobsite cast
and crew!
KEITH COLLEGE (Assistant Stage
Manager) is a rst-year college student at
HCC studying Drama. His main interests
reside in performance, stage management
and music. Keith also plans to write plays
of his own and work on his band. You may
remember Keith during last year’s production
of LIZZIE as the ASM/ roadie and dashing
across the stage moving the props. Keith is
delighted to be a part of this production and is
forever grateful to Jobsite for the opportunity.
RYAN E. FINZELBER (Set and Lighting
Designer) is a local freelance lighting
designer who also serves as Resident Lighting
Designer for Urbanite Theatre in Sarasota.
Recent lighting credits include Gloucester
Blue, A Skull in Connemara (Jobsite
Theatre), Pilgrims, Bo-Nita, My Barking
20 CENTERBILL • NOVEMBER 2017
Dog, Breadcrumbs, The Drowning Girls
(Urbanite Theatre), Broadway in Black (West
Coast Black Theatre Troupe), Red Velvet,
Peter and the Starcatcher, Assassins (freeFall
Theatre), Grounded, Stalking the Bogeyman
(Florida Studio Theatre), Big Fish (Sarasota
Players), The Bridges of Madison County
(Manatee Players). Visit nzelberdesign.com
for more information and production photos!
DAVID M. JENKINS (Director) is the
Producing Artistic Director and a co-founder
of Jobsite. He holds a Ph.D. in Communication
(Performance Studies) from the University
of South Florida, an M.F.A. in Acting from
the University of Florida, and a B.A. in
Theater Performance, also from USF. He
has additionally studied with Moscow State
University, the Russian Academy of Theatre
Arts (GITIS) and the San Francisco Mime
Troupe. In addition to his full-time work for
Jobsite, David teaches in the Honors College
at USF as an adjunct instructor. He has
recently directed productions of Gloucester
Blue, As You Like It, LIZZIE, The Maids,
SILENCE! The Musical, Annapurna (with
Summer Bohnenkamp), and Twelfth Night for
Jobsite as well as Annie Baker’s The Aliens
for Stageworks Theatre. He was directed
by Israel Horovitz in Sins of the Mother
(Frankie/Philly Verga), and has been recently
seen in Cloud Nine (Betty/Edward), A Skull
in Connemara (Tom Hanlon), Time Stands
Still (James), The Hound of the Baskervilles
(Dr. Watson) and The Lonesome West
(Coleman). The latter earned him a Theatre
Tampa Bay nomination for Outstanding Lead
Actor, recognition as a Top 9 performance of
2013 by Creative Loa ng’s Mark Leib, and
the Best Actor Award in CL’s Best of the Bay
Reader’s Poll. He was the 2014 recipient of
the Best Director Award from CL’s Reader’s
Poll and Best Director of a Musical in the
BroadwayWorld Tampa Regional Awards; he
also won the 2015 BroadwayWorld Regional
Award for Best Actor (Times Stands Still).
Creative Loa ng has twice honored him as
both Best Artistic Director and Best Actor.
David has published articles in the scholarly
journals Text & Performance Quarterly,
Liminalities, and Departures in Critical
Qualitative Research. He lives in Tampa
Heights in a neat old house with his rad wife
and a mess of critters.